![]() ![]() So now we’re ready to go… Creating a layout Be sure to pick the right bit-version for your version of Windows. What’s cool is that the Editor runs as a standalone program, so no installation required. If you are in Windows, you’ll have to download and install a Java Runtime Environment (JRE) program from the official Java website. It comes in versions for MacOS, Linux, and Windows (32-bit and 64-bit). Just a reminder, you can download the TouchOSC Editor from. is asking for donations to help it fund the finishing of the Android version of the app, so if you really want to see custom layouts come to Android, take a moment and donate US$5. Be sure to drop them an email telling that you want to see the Android app finished, and perhaps give them the name, model, specs, and Android version of your device… Still, it sucks for me since my ThinkPad Tablet runs on Android. Apparently the developers at have not fully “finished” and “perfected” the Android version. I could understand that, with the wider array of hardware configurations of Android devices combined with the version fragmentation making things probably prohibitively difficult. It was in my attempt to make a custom layout for TouchOSC that I found out now why the Android version was free while the iOS version is US$4.99. While the layouts included with TouchOSC are fun and cover a wide array of potential set-ups, part of the fun is being able to make your own customized control layout, and today I’ll show you how easy it is. While it was a little complex, the end result is quite remarkable. In 4 Easy Steps To Adding A Tablet Controller To Your DJ Set-up, I dove into how to set up and use TouchOSC on your smartphone or tablet in your DJ set-up. I'm doing a dualhead show tomorrow night and you better believe I'm not using the official 1.5 version.My TouchOSC custom controller design: Want to design one of your own? Today we show you how. I completely adore the ability to scale the main output preview window and I assumed it was going to be in the final release. I just love your software so much and I'm extremely disappointed because I promote your product every chance I get. I was SO stoked because I've only recently gotten seriously into doing multiple projector shows and I felt like you guys actually listened to me but apparently it was a bad financial choice or something so I apologize if I am too bitchy of a customer or whatever you may think. ![]() I will use the latest RC candidate until it quits working and I will probably continue to use GrandVJ for single projector shows but I am switching to one of your competitor's products for everything else. Why did you guys do away with the ability to preview dual and triplehead resolutions in the main preview? Did you feel you were giving away too much too cheap or was it giving a bunch of issues and bugs? I'm only curious because it is essentially a dealbreaker for me. vostek Confirmed user Posts: 53 Joined: Sat 6:48 pm I imagine any VJ who has even causally DJ'd at any point will have a pretty easy time getting it locked. Luckily FL Studio and most other DAWs can go down to the millisecond, but it does take a little practice to hone in on the exact speed where it doesn't start to drift for at least 16 measures. CDJs display the tempo, but theres a slight margin of error, so if it says 132 bpm, it may actually be 132.5 bpm. On the other hand, if the DJ uses CDJs or vinyl, the process is a little more hairy. I could just look at the tempo they are at, down to the millisecond, and set that in FL studio and not worry about it for the entire DJ's set or until he made a move to change the bpm. For example I integrated the A-B/transitions into my performance for the first time as the feature really shines with a tempo-synced automation sine-wave oscillating between the A and B signal every 1, 2, or 4 beats- a very powerful effect for dance music, and all the different transition variations offers a lot of aesthetic options.Īs a note for others who want to do live tempo-sync automation waves to a DJ, I discovered it was much easier when the DJ used software-based mixing such as NI Traktor. I found that some of the simplest automation created some of the best results. This is definitely the next level of live visual performance! No crash for the duration of the 8-hour event. Had my first field-test of 1.5 RC1 this weekend using FL Studio/Arkaos Connect to send MIDI automation to GVJ. ![]()
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